[vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”grid” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_empty_space height=”40″][vc_column_text]<\/p>\n
[\/vc_column_text][vc_empty_space height=”32″][\/vc_column][\/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”grid” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern” bgparallax=”parallax” contentwidth=”container” toppadding=”40″ bottompadding=”10″ border=”on” css=”.vc_custom_1420648296958{background-color: #ffffff !important;}”][vc_column width=”1\/3″ css=”.vc_custom_1427029754112{padding-right: 25px !important;}” el_class=”full-1″][vc_column_text]<\/p>\n
Budapest Gallery<\/p>\n
1036 Budapest, Lajos utca 158.<\/p>\n
15 April \u2013 15 May 2016<\/p>\n
[\/vc_column_text][vc_column_text]<\/p>\n
Curator:<\/p>\n
Zsuzsanna Szegedy-Masz\u00e1k<\/p>\n
Exhibiting artists:<\/p>\n
Zsili Bertalan Babos | D\u00e1niel Bern\u00e1th | Borb\u00e1la Blah\u00f3 | Gy\u00f6rgy Bp. Szab\u00f3 | Lola Cervant | K\u00e1roly Elekes | Marcell Esterh\u00e1zy | Istv\u00e1n Felsmann | Comit\u00e9 de R\u00e9servation | S\u00e1ra Gink | Kitti Gosztola | L\u00e1szl\u00f3 Kar\u00e1csonyi | G\u00e1bor Kerekes | G\u00e1bor Ko\u00f3s | Adri\u00e1n Kupcsik | \u00c1kos Matzon | M\u00e1rta R\u00e1cz | Veronika Romh\u00e1ny | J\u00e1nos Sug\u00e1r | Hajnalka Tarr | Kata Tranker<\/p>\n
[\/vc_column_text][vc_empty_space height=”20″][vc_column_text]<\/p>\n
Opening: 14 April 2016, (Thursday) 6 pm<\/p>\n
Opening speech by:<\/p>\n
Veronika Hermann<\/p>\n
literary historian<\/p>\n
[\/vc_column_text][vc_empty_space height=”32″][\/vc_column][vc_column width=”2\/3″ el_class=”full-2″][vc_single_image image=”12614″ img_size=”full” qode_css_animation=””][vc_empty_space height=”10″][vc_column_text]<\/p>\n
S\u00e1ra Gink<\/p>\n
Memotherapy III,<\/em> 2015, photomontage mounted on dibond, 50 \u00d7 88 cm<\/p>\n [\/vc_column_text][vc_empty_space height=”32″][vc_column_text]<\/p>\n The group exhibition Accumulator <\/em>presents contemporary artists from various areas of the visual arts whose works in some manner reflect on the act of collecting. By focusing on a specific form of artistic behaviour, the show is a continuation of the exhibition entitled Creation-Works<\/em>, organized in 2015 at the Budapest Gallery.<\/p>\n [\/vc_column_text][vc_empty_space height=”32″][vc_single_image image=”12615″ img_size=”full” qode_css_animation=””][vc_empty_space height=”10″][vc_column_text]<\/p>\n Marcell Esterh\u00e1zy<\/p>\n The Circle is Not Round<\/em>, 2012, gicl\u00e9e print, 140 \u00d7 140 cm<\/p>\n [\/vc_column_text][vc_empty_space height=”32″][vc_column_text]<\/p>\n The practice or habit of collecting and accumulating can find manifestation in many ways \u2013 gathering objects, preserving memories and thoughts in digital or traditional forms, or photographing certain motifs \u2013 and can be a source of inspiration for an artist in various manners: s\/he can incorporate it as material into the artwork, something like a collage or an assemblage; the artist may choose to represent the whole or a part of a collection belonging to him\/her or someone else using another medium; or the artist can make the act of collecting (whether objects or ides) the subject of his\/her artwork.<\/p>\n [\/vc_column_text][vc_empty_space height=”32″][vc_single_image image=”12630″ img_size=”full” qode_css_animation=””][vc_empty_space height=”10″][vc_column_text]<\/p>\n From the Archives of the Comit\u00e9 de R\u00e9servation<\/p>\n 2014\u2013<\/p>\n [\/vc_column_text][vc_empty_space height=”32″][vc_column_text]<\/p>\n The hobby-like practice of accumulation undergoes a transformation in the creative process and in certain cases assumes a central role. Sometimes, the way in which an artist collects or accumulates conveys a great deal about his\/her work, as it is often done according to various different categories, such as the function, colour, material, size, or form of the objects, or simply the associations triggered by an object or a motif in the artist\u2019s mind. Additional classification of a collection can be regarded almost as a scientific activity; works of art that come into being in part through processes of collecting and accumulating draw attention to anthropological and sociological phenomena. The exhibition presents not collections, but works of art based on practices and habits of accumulating.<\/p>\n [\/vc_column_text][vc_empty_space height=”32″][vc_single_image image=”12635″ img_size=”full” qode_css_animation=””][vc_empty_space height=”10″][vc_column_text]<\/p>\n G\u00e1bor Ko\u00f3s<\/p>\n Glasgow Diary<\/em>, 2010, Artist Book, 15 \u00d7 19 cm<\/p>\n [\/vc_column_text][\/vc_column][\/vc_row][vc_row css_animation=”” template=”ism_template_1″ ism_overlock=”default” sm_d_text=”<\/p>\n Share This Page To Unlock The Content!” row_type=”row” use_row_as_full_screen_section=”no” type=”grid” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_empty_space height=”32″]This content is locked<\/h2>\n