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P\u00e9ter Gallov<\/p>\n

Hommage \u00e1 L’Age d’Or<\/em>, 2016, graphite, paper, 45 \u00d7 50 cm<\/p>\n

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True Copy<\/h2>\n
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Budapest Gallery<\/p>\n
1036 Budapest, Lajos utca 158.<\/p>\n
14 June \u2013 23 July 2017<\/p>\n
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Participating artists:<\/p>\n
Emese BENCZ\u00daR, Andr\u00e1s BERN\u00c1T, M\u00e1ria CHILF, G\u00e1bor ERD\u00c9LYI, P\u00e9ter GALLOV, Katalin K\u00c1LDI, Zs\u00f3fia KERESZTES, Andr\u00e1s KIR\u00c1LY, Zsolt MOLN\u00c1R, Gy\u00f6rgy SZ\u00c1SZ<\/p>\n
Curators:<\/p>\n
\u00c1gnes SZABICS, Zsuzsanna SZEGEDY-MASZ\u00c1K<\/p>\n
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Opening: 13 June 2017, (Tuesday) 6 pm<\/p>\n
Opening speech by:<\/p>\n
P\u00e9ter Z\u00c1VADA<\/p>\n
poet<\/p>\n
[\/vc_column_text][vc_empty_space height=”32″][\/vc_column][vc_column width=”2\/3″ el_class=”full-2″][vc_column_text]The group exhibition entitled True Copy<\/em> presents works by contemporary Hungarian artists who show an inclination to repeat or copy their own compositions. Like the Creation-Works<\/em> exhibition of 2015 and the Accumulator <\/em> exhibition of 2016, this selection surveys a form of artistic behaviour which is as prevalent today as it was in the past.
\nDrawing inspiration in part from canonical examples like Robert Rauschenberg\u2019s Factum I<\/em> and Factum II<\/em> of 1957, Bernard Piffaretti\u2019s split canvases (the two halves of which depict the same composition) and Alec Baldwin\u2019s infamous recent case of a painting and its duplicate by Ross Bleckner, the exhibition of the Budapest Gallery presents works by artists who, for widely divergent reasons, create second or third versions of their own works. In the history of art, of course, examples of artists creating copies of their own masterpieces is not a new phenomenon. Neither is it a novel observation that in such cases the work created later suffers when it comes to its art historical significance and market value, even though each version was crafted by the same hands. The distinction drawn between original and copy is highly questionable, especially if it was not the artist him or herself who categorized the later version as a duplicate in the first place. On what grounds can a composition be considered a copy, duplicate, replica, or imitation? The exhibition True Copy<\/em> strives to address these questions.[\/vc_column_text][vc_empty_space height=”32″][vc_single_image image=”13976″ img_size=”full” qode_css_animation=””][vc_empty_space height=”10″][vc_column_text]<\/p>\n
Katalin K\u00e1ldi<\/p>\n
The Upper Two Thirds of the Painting Woman with Lifting Weights,\u00a0<\/em> 2014, oil on canvas, 80 \u00d7 120 cm<\/p>\n
Woman with Lifting Weights,\u00a0<\/em>oil on canvas, 40 \u00d7 30 cm<\/p>\n
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