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Share This Page To Unlock The Content!”][vc_column][vc_single_image image=”18204″ img_size=”full” qode_css_animation=””][vc_empty_space height=”10px”][\/vc_column][\/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”grid” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_empty_space height=”45px”][vc_column_text]<\/p>\n
[\/vc_column_text][vc_empty_space height=”45px”][\/vc_column][\/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”grid” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern” bgparallax=”parallax” contentwidth=”container” toppadding=”40″ bottompadding=”10″ border=”on” css=”.vc_custom_1420648296958{background-color: #ffffff !important;}”][vc_column width=”1\/3″ css=”.vc_custom_1427029754112{padding-right: 25px !important;}” el_class=”full-1″][vc_column_text]<\/p>\n
New Budapest Gallery<\/p>\n
1093 Budapest, F\u0151v\u00e1m t\u00e9r 11\u201312., (B\u00e1lna Budapest)<\/p>\n
3 December 2017 \u2013 21 January 2018<\/p>\n
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Opening:<\/p>\n
Saturday, 2 December 2017, 5-8 pm<\/p>\n
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The exhibitors include:<\/p>\n
ZOLT\u00c1N ANDREJKOVICS | BAL\u00c1ZS BE\u00d6THY | BUTTINGER LISA | BERG EIKE | \u00c1GNES EL\u0150D | MIKL\u00d3S ERHARDT | MIKL\u00d3S FELVID\u00c9KI | D\u00c1VID GUTEMA | IMPLAUSIBLE WORKS (AGNUS SZEKERES, L\u00d3R\u00c1ND SZ\u00c9CS\u00c9NYI-NAGY) | KRIST\u00d3F JURIK | G\u00c1BOR KOZMA | TAM\u00c1S LISZKA | FRUZSINA MARSALK\u00d3 | D\u00d3RA MAURER | D\u00c1VID MIKUL\u00c1N | | ZSIGMOND PETERN\u00c1K\u2013M\u00c1T\u00c9 BALOGH | CLEMENS SCH\u00d6LL | KATARINA \u0160EVI\u0106 | ZOLT\u00c1N SZEGEDY-MASZ\u00c1K\u2013M\u00c1RTON FERNEZELYI | TIBOR SZEMZ\u0150 | B\u00c1LINT SZENTE-VARGA | BEATRIX SZ\u00d6R\u00c9NYI | ANDR\u00c1S SZ\u0150NYI | BETTINA SZREMK\u00d3 | ANDREA SZTOJ\u00c1NOVITS | M\u00c1T\u00c9 VARGA | G\u00c1BOR VECSEI | J\u00daLIA V\u00c9CSEI | BAL\u00c1ZS VECSEY | VIR\u00c1G V\u00c9CSEY | RAPHAEL V\u00d6GELI | TAM\u00c1S WALICZKY | BRIGITTA ZICS | MIKL\u00d3S ZSIG\u00d3<\/p>\n
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Curators:<\/p>\n
B\u00c1LINT \u00c1CS | M\u00c1RTON FERNEZELYI | \u00c9VA KOZMA | MIKL\u00d3S PETERN\u00c1K<\/p>\n
[\/vc_column_text][vc_empty_space][\/vc_column][vc_column width=”2\/3″ el_class=”full-2″][vc_column_text]The exhibition of media art and media history organized by the C\u00b3 Foundation attempts to trace the relationship between the visual arts and computers in Hungary over the course of the past fifteen years. To render the formula of the present, we selected a unique viewpoint. Well-known artists with significant oeuvres participate side by side with youths who were applicants and winners of the Freestyle Computing Competition<\/a> organized by C\u00b3. Many things have changed in computer use and the prevalence and application of infoculture in the past decade and a half. The exhibition endeavours to give an unconventional but informative, complex and exciting survey of these changes.<\/p>\n For the past 15 years, the C\u00b3 Centre for Culture and Communication Foundation has organized an annual competition encouraging creative computer usage by members of the younger generation. We believe the time has come to examine and present the ways in which the competition has evolved, the people who have participated in the project, what has happened to our more than 100 winners over the years, and how the more than 6,000 submissions created by these young contestants can be viewed and interpreted today.<\/p>\n The operation and use of technical mediums determine our everyday lives in decisive ways, while independent, critical and media-conscious reflection essential to creative use is far from common knowledge or practice. The \u201cdigital natives\u201d (people who grew up with computers) think differently about the world than \u201cdigital immigrants\u201d (the rest of us, whose familiar lifestyles were disrupted and transformed by the new information society). It remains to be seen how we comprehend one another; what are the optimal forms of familiar and habitual dialogic relationships, for instance education, today, and how might they change? And, of course, how can this be presented in the world of the early 21st century, which is rife with radical transformations? Is it possible to speak in an easily intelligible manner about the present and to the present \u2013 especially with the aid of a particular, micro-retrospective approach?[\/vc_column_text][vc_empty_space height=”45px”][vc_single_image image=”18192″ img_size=”full” qode_css_animation=””][vc_empty_space height=”10px”][vc_column_text]<\/p>\n Andrea Sztoj\u00e1novits<\/p>\n The Instruments of Experience<\/em>, 2017, installation<\/p>\n [\/vc_column_text][vc_empty_space height=”45px”][vc_single_image image=”18194″ img_size=”full” qode_css_animation=””][vc_empty_space height=”10px”][vc_column_text]<\/p>\n D\u00e1vid Gutema, D\u00e1vid Mikul\u00e1n<\/p>\n Squirrels<\/em>, 2008, video<\/p>\n [\/vc_column_text][vc_empty_space height=”45px”][vc_single_image image=”18196″ img_size=”full” qode_css_animation=””][vc_empty_space height=”10px”][vc_column_text]<\/p>\n Brigitta Zics<\/p>\n Pachinko<\/em> machine, 2017<\/p>\n [\/vc_column_text][vc_empty_space height=”45px”][vc_single_image image=”18198″ img_size=”full” qode_css_animation=””][vc_empty_space height=”10px”][vc_column_text]<\/p>\n Zsigmond Petern\u00e1k \u2013 M\u00e1t\u00e9 Balogh<\/p>\n h.a.<\/em>, 2016, video, 3\u201940\u201d<\/p>\n [\/vc_column_text][vc_empty_space height=”45px”][vc_single_image image=”18200″ img_size=”full” qode_css_animation=””][vc_empty_space height=”10px”][vc_column_text]<\/p>\n Mikl\u00f3s Zsig\u00f3<\/p>\n Underwater cyclops<\/em>, 2017, robot<\/p>\n [\/vc_column_text][vc_empty_space height=”20px”][vc_separator type=”normal” color=”#c6c6c6″ up=”10″ down=”20″][vc_empty_space height=”10px”][vc_column_text]European partners of the C\u00b3 Foundation: the Austrian U19 \u2013 Create Your World (Ars Electronica, Linz), the German MB21 (Medienkulturzentrum Dresden), and the Swiss bugnplay.ch (Migros-Kulturprozent) competitions, of which we present a selection as part of the program. Share This Page To Unlock The Content!”][vc_column][vc_empty_space]
\nThe exhibition\u2019s subtitle refers to the writings of Marc Prensky (Digital Natives, Digital Immigrants, I\u2013II., On the Horizon, 2001).[\/vc_column_text][vc_empty_space height=”45px”][vc_single_image image=”8628″ img_size=”80×54″ onclick=”custom_link” img_link_target=”_blank” qode_css_animation=”” link=”http:\/\/www.nka.hu”][vc_empty_space height=”10px”][\/vc_column][\/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”grid” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern” template=”ism_template_1″ ism_overlock=”default” sm_d_text=”<\/p>\nThis content is locked<\/h2>\n