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Budapest Gallery<\/p>\n
1036 Budapest, Lajos utca 158.<\/p>\n
12 March \u2013 12 April 2015<\/p>\n
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Curator of the exhibition:<\/p>\n
Mikl\u00f3s Sulyok<\/p>\n
[\/vc_column_text][vc_empty_space height=”32px”][\/vc_column][vc_column width=”2\/3″ el_class=”full-2″][vc_column_text]S\u00e1ndor B\u00edr\u00f3 is a real painter. He couldn\u2019t imagine a different medium or a better occupation for himself other than painting, for he has an elemental attraction to painting as something that exists physically and as something that is a physical-intellectual creative process. (\u2026) His working method is well suited to his landscapes, which \u2014 though they are at the same time strongly abstract and pantheistic \u2014 are strivings to capture scenes that are innate in nature but cannot be expressed in words, finding form more in moods. It is characteristic of his work that he does not use photographs, but rather paints using sketches made slowly on the spot, drawing on his impressions, memories and frame of mind. He often makes colour sketches in watercolour on paper in which he lays out in advance the colour and light accents of his paintings. (\u2026) In S\u00e1ndor B\u00edr\u00f3\u2019s landscapes, the temporary, impressionistic phenomena appear almost to vanish, and instead the general and the permanent come to the foreground. His landscape fragments represent attempts to grasp the Whole. Even if there is only a single sign indicating the endeavour for absence in the landscape of man\u2019s presence: in the infinite fabric of the forest a clearing causing rupture, causing a wound.<\/p>\n
J\u00e1nos Sturcz<\/p>\n
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