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[\/vc_column_text][vc_empty_space height=”32px”][\/vc_column][\/vc_row][vc_row bgparallax=”parallax” contentwidth=”container” toppadding=”40″ bottompadding=”10″ border=”on” css=”.vc_custom_1420648296958{background-color: #ffffff !important;}” row_type=”row” use_row_as_full_screen_section=”no” type=”grid” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column width=”1\/3″ css=”.vc_custom_1427033299904{padding-right: 25px !important;}” el_class=”full-1″][vc_column_text]<\/p>\n
Budapest Gallery<\/p>\n
1036 Budapest, Lajos utca 158.<\/p>\n
5 September \u2013 5 October 2014<\/p>\n
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Curator of the exhibition:<\/p>\n
Tam\u00e1s T\u00f6r\u00f6k<\/p>\n
[\/vc_column_text][vc_column_text][vc_empty_space height=”32px”][\/vc_column][vc_column width=”2\/3″ el_class=”full-2″][vc_column_text]The exhibition of works by Dia B\u00f6gi and Tam\u00e1s G. Juh\u00e1sz at the Budapest Gallery focuses on opposites and the tensions and interplay that emerge between them: the opposites \u2013 material-immaterial, two dimensional \u2013 three dimensional, classical art \u2013 modern art \u2013 meet at the intersection of the dialectics of white and black.[\/vc_column_text][vc_empty_space height=”32px”][vc_single_image image=”6336″ img_link_target=”_self” img_size=”full”][vc_empty_space height=”32px”][vc_column_text]The points of departure for the two artists are different: B\u00f6gi completed her studies at the Painting Department of the University of Fine Arts. She examines the possibilities inherent in various materials (embroidery, wool thread, plaster, sand, enamel, foil, gypsum). Her works come to life through the interplay of the various materials and artistic invention. Tam\u00e1s G. Juh\u00e1sz studied at the Department of Photography of the Moholy-Nagy University of Art and Design. In his unique visual world, his photographs, and his video installations subjective documentarism mingles with conceptual art.<\/p>\n
B\u00f6gi\u2019s monochromes, which are embroidered, perforated and cast in plaster, are presented as if \u201chovering\u201d in the gallery space. In the lyrical consonance of the material and the form, sensual shapes and shadows organically emerge from the play of light and the materials. Juh\u00e1sz\u2019s video installations are based on the interplay of white and black, material and immaterial, actual images and imagination.<\/p>\n
As in their independent works, the oppositions inherent in their two joint video works are multi-layered. The intermedial dialogue between material and immaterial, tradition and modernity, fine arts, photography and video sometimes manifests itself in harmony, others times in tension.[\/vc_column_text][vc_empty_space height=”32px”][vc_column_text]