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Andrea Kalinov\u00e1<\/p>\n

Gy\u00f3gy\u00edt\u00f3 vizek<\/em>, 2014-2016, fot\u00f3<\/p>\n

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H\u00e1trahagyott ut\u00f3pi\u00e1k<\/em><\/h2>\n
[\/vc_column_text][vc_empty_space height=”32″][\/vc_column][\/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”grid” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern” bgparallax=”parallax” contentwidth=”container” toppadding=”40″ bottompadding=”10″ border=”on” css=”.vc_custom_1420648296958{background-color: #ffffff !important;}”][vc_column width=”1\/3″ css=”.vc_custom_1427030294278{padding-right: 25px !important;}” el_class=”full-1″][vc_column_text]<\/p>\n
Budapest Gal\u00e9ria<\/p>\n
1036 Budapest, Lajos utca 158.<\/p>\n
2017. szeptember 20 \u2013 okt\u00f3ber 29.<\/p>\n
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Ki\u00e1ll\u00edt\u00f3 m\u0171v\u00e9szek:<\/p>\n
Andrea Kalinov\u00e1<\/p>\n
Moni K. Huber<\/p>\n
Nemes Csaba<\/p>\n
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Megnyit\u00f3: 2017. szeptember 19., (kedd) 17:00<\/p>\n
Bevezeti:<\/p>\n
Pia Jard\u00ed<\/p>\n
a ki\u00e1ll\u00edt\u00e1s kur\u00e1tora, B\u00e9cs<\/p>\n
Megnyitja:<\/p>\n
Wolfgang Schneider<\/p>\n
art mediator, B\u00e9cs<\/p>\n
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\u201eAz \u00e9p\u00edt\u00e9szeti t\u00e9r csak akkor kel \u00e9letre, amikor \u00e9szlelhet\u0151 emberi jelenl\u00e9ttel ker\u00fcl kontaktusba.\u201d<\/p>\n
Tadao Ando<\/p>\n
[\/vc_column_text][vc_empty_space height=”45″][vc_single_image image=”14236″ img_size=”full” qode_css_animation=””][vc_empty_space height=”10″][vc_column_text]<\/p>\n
Moni K. Huber<\/p>\n
Sz\u00e1llodarom, Haludovo #3\/,<\/em> 2015, olaj, pap\u00edr, v\u00e1szon, 140 \u00d7 190 cm<\/p>\n
[\/vc_column_text][vc_empty_space height=”32″][vc_column_text]Moni K. Huber, Andrea Kalinov\u00e1 \u00e9s Nemes Csaba t\u00e1jk\u00e9pei k\u00fcl\u00f6nb\u00f6z\u0151 nyelveken \u00e9p\u00edt\u00e9szetet mutatnak be \u00e9s szint\u00e9zist teremtenek az egy\u00e9ni eml\u00e9kezet \u2013 a szubjekt\u00edv tapasztalatok, melyek olyan \u00e9rzelmeket tudnak el\u0151id\u00e9zni, mint a melank\u00f3lia, vagy egy vissza nem hozhat\u00f3 m\u00falt ir\u00e1nti nosztalgia \u2013, valamint a politikai, gazdas\u00e1gi \u00e9s t\u00e1rsadalmi esem\u00e9nyekb\u0151l \u00e1ll\u00f3 kollekt\u00edv mem\u00f3ria k\u00f6z\u00f6tt.<\/p>\n
T\u00e1jk\u00e9pek, melyek egyes\u00edtik a term\u00e9szetet az \u00e9p\u00edt\u00e9szettel, a m\u00faltat jelennel, \u00e9s felfedezik a m\u00faland\u00f3s\u00e1g sz\u00e9ps\u00e9g\u00e9t.<\/p>\n
Mindez azt sugallja, hogy az \u00e9p\u00edt\u00e9szet a T\u00f6rt\u00e9nelmet t\u00fckr\u00f6zi, \u00e9s hogy a T\u00f6rt\u00e9nelmet konstru\u00e1l\u00f3 k\u00fcl\u00f6nb\u00f6z\u0151 narrat\u00edv\u00e1k fed\u00e9sben vannak.<\/p>\n
Pia Jard\u00ed, a ki\u00e1ll\u00edt\u00e1s kur\u00e1tora<\/p>\n
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Csaba Nemes<\/p>\n
Cig\u00e1nycsal\u00e1d az \u00faj h\u00e1zukn\u00e1l,<\/em> 2009, olaj, v\u00e1szon, 200 \u00d7 200 cm<\/p>\n
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