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\u0141\u00f3d\u017a Kaliska | Mickiewicz<\/em>, 2016<\/p>\n [\/vc_column_text][\/vc_column][\/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”grid” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern” background_color=”#ffffff”][vc_column][vc_empty_space height=”45″][vc_column_text]<\/p>\n [\/vc_column_text][vc_empty_space height=”45″][\/vc_column][\/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”grid” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern” background_color=”#ffffff”][vc_column width=”1\/3″ css=”.vc_custom_1438266085350{padding-right: 25px !important;}” el_class=”full-1″][vc_column_text]<\/p>\n New Budapest Gallery<\/p>\n 1093 Budapest, F\u0151v\u00e1m t\u00e9r 11\u201312., (B\u00e1lna Budapest)<\/p>\n 5 October 2016 \u2013 8 January 2017<\/p>\n [\/vc_column_text][vc_column_text]<\/p>\n Curator:<\/p>\n Zofia \u0141UCZKO<\/p>\n [\/vc_column_text][vc_column_text]<\/p>\n Opening:<\/p>\n 4 October 2016 (Tuesday) 6\u20138 pm<\/p>\n [\/vc_column_text][vc_column_text]<\/p>\n Welcome speech by:<\/p>\n KATARZYNA SITKO<\/p>\n director of the Polish Institute in Budapest<\/p>\n Opening speech by:<\/p>\n TIBOR V\u00c1RNAGY<\/p>\n [\/vc_column_text][vc_empty_space height=”32″][\/vc_column][vc_column width=”2\/3″ el_class=”full-2″][vc_column_text]As its name indicates, the group was formed in the important industrial town of \u0141\u00f3d\u017a in 1979. The Neo-avant-garde art group uses photo media and a conceptual understanding of tradition in its approach to the genres of photography, experimental film, and performance as a pictorial unit. Their artistic program is based on Dadaist traditions and points to Surrealist anarchism. They were radical critics of socialist Poland of the 1980s, and they owe their international fame to this.[\/vc_column_text][vc_column_text][\/vc_column_text][vc_empty_space height=”32″][vc_single_image image=”11563″ img_size=”full” qode_css_animation=””][vc_empty_space height=”10″][vc_column_text]<\/p>\n \u0141\u00f3d\u017a Kaliska<\/p>\n Stefan and Mayonnaise<\/em>, 2016<\/p>\n [\/vc_column_text][vc_empty_space height=”20″][vc_column_text]This cycle of works by the group \u0141\u00f3d\u017a Kaliska entitled The Prophets\u2019 Parade<\/em> is, as always with these artists, an ironic and irreverent statement about collective myth-making with which Poles have been feeding successive generations for decades. Starting with compulsory reading material at school, myth-making constantly refers to the Romantic tradition, the archaic notions of which are grotesque when juxtaposed with the contemporary world. When they show a female charging with a lance or transform Balladyna \u2013 the sombre character of S\u0142owacki\u2019s drama of the same title \u2013 into a figure who loves taking selfies, the artists of \u0141\u00f3d\u017a Kaliska depict the symbols of Polish national megalomania and, with a perverse distance, expose the abusive manipulation of martyrological stereotypes.[\/vc_column_text][vc_empty_space height=”10″][vc_column_text]The project The Prophets\u2019 Parade<\/em> consists of the following works: Stefan and Mayonnaise<\/em>, Mickiewicz<\/em>, Balladyna Selfie<\/em>, Janina Kochanowska<\/em> and The Standing Charge<\/em>.[\/vc_column_text][vc_empty_space height=”30″][vc_column_text css=””]<\/p>\n Collaborating partner:<\/p>\n Polish Institute in Budapest<\/a><\/p>\n With the support of:<\/p>\nTHE PROPHETS’ PARADE<\/em><\/h2>\n
An artistic project by the group \u0141\u00f3d\u017a Kaliska:<\/h2>\n
Marek Janiak, Adam Rzepecki, Andrzej \u015awietlik, Andrzej Wielog\u00f3rski<\/h2>\n