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{"id":13109,"date":"2017-11-17T11:26:30","date_gmt":"2017-11-17T11:26:30","guid":{"rendered":"http:\/\/budapestgaleria.hu\/uj\/a-jelen-keplete-digitalis-benszulottek\/"},"modified":"2019-02-26T07:13:14","modified_gmt":"2019-02-26T07:13:14","slug":"a-jelen-keplete-digitalis-benszulottek","status":"publish","type":"page","link":"https:\/\/budapestgaleria.hu\/uj\/en\/2017-exhibitions\/a-jelen-keplete-digitalis-benszulottek\/","title":{"rendered":"The Formula of the Present"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row css_animation=&#8221;&#8221; seperator_indeed_locker=&#8221;&#8221; template=&#8221;ism_template_1&#8243; ism_overlock=&#8221;default&#8221; sm_d_text=&#8221;<\/p>\n<h2>This content is locked<\/h2>\n<p>Share This Page To Unlock The Content!&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;grid&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221; disable_mobile=&#8221;0&#8243; twitter_hide_mobile=&#8221;0&#8243; twitter_unlock_onclick=&#8221;0&#8243;][vc_column][vc_single_image image=&#8221;13081&#8243; img_size=&#8221;full&#8221; qode_css_animation=&#8221;&#8221;][\/vc_column][\/vc_row][vc_row css_animation=&#8221;&#8221; seperator_indeed_locker=&#8221;&#8221; template=&#8221;ism_template_1&#8243; ism_overlock=&#8221;default&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;grid&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221; disable_mobile=&#8221;0&#8243; twitter_hide_mobile=&#8221;0&#8243; twitter_unlock_onclick=&#8221;0&#8243;][vc_column][vc_empty_space height=&#8221;45&#8243;][vc_column_text]<\/p>\n<h2 class=\"cim_1\">The Formula of the Present<\/h2>\n<h2 class=\"alcim\">Digital Natives, Digital Immigrants<\/h2>\n<h2 class=\"alcim\">15 years of &lt;19 Freestyle Computing Competition<\/h2>\n<h2 class=\"alcim\">An exhibition of the C\u00b3 Centre for Culture and Communication Foundation at the New Budapest Gallery<\/h2>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;45&#8243;][\/vc_column][\/vc_row][vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;grid&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221; bgparallax=&#8221;parallax&#8221; contentwidth=&#8221;container&#8221; toppadding=&#8221;40&#8243; bottompadding=&#8221;10&#8243; border=&#8221;on&#8221; css=&#8221;.vc_custom_1420648296958{background-color: #ffffff !important;}&#8221;][vc_column width=&#8221;1\/3&#8243; css=&#8221;.vc_custom_1427029754112{padding-right: 25px !important;}&#8221; el_class=&#8221;full-1&#8243;][vc_column_text]<\/p>\n<p class=\"hely_bpgal\">New Budapest Gallery<\/p>\n<p class=\"cim_bpgal\">1093 Budapest, F\u0151v\u00e1m t\u00e9r 11\u201312., (B\u00e1lna Budapest)<\/p>\n<p class=\"datum_bpgal\">3 December 2017 \u2013 21 January 2018<\/p>\n<p>[\/vc_column_text][vc_separator type=&#8221;normal&#8221; color=&#8221;#bcbcbc&#8221; up=&#8221;25&#8243;][vc_column_text]<\/p>\n<p class=\"kiemeles_bpgal\">The exhibitors include:<\/p>\n<p class=\"verzal_bpgal\">Zolt\u00e1n Andrejkovics | Bal\u00e1zs Be\u00f6thy | Buttinger Lisa | Berg Eike | \u00c1gnes El\u0151d | Mikl\u00f3s Erhardt | Mikl\u00f3s Felvid\u00e9ki | D\u00e1vid Gutema | Implausible Works (Agnus Szekeres, L\u00f3r\u00e1nd Sz\u00e9cs\u00e9nyi-Nagy) | Krist\u00f3f Jurik | G\u00e1bor Kozma | Tam\u00e1s Liszka | Fruzsina Marsalk\u00f3 | D\u00f3ra Maurer | D\u00e1vid Mikul\u00e1n | | Zsigmond Petern\u00e1k\u2013M\u00e1t\u00e9 Balogh | Clemens Sch\u00f6ll | Katarina \u0160evi\u0107 | Zolt\u00e1n Szegedy-Masz\u00e1k\u2013M\u00e1rton Fernezelyi | Tibor Szemz\u0151 | B\u00e1lint Szente-Varga | Beatrix Sz\u00f6r\u00e9nyi | Andr\u00e1s Sz\u0151nyi | Bettina Szremk\u00f3 | Andrea Sztoj\u00e1novits | M\u00e1t\u00e9 Varga | G\u00e1bor Vecsei | J\u00falia V\u00e9csei | Bal\u00e1zs Vecsey | Vir\u00e1g V\u00e9csey | Raphael V\u00f6geli | Tam\u00e1s Waliczky | Brigitta Zics | Mikl\u00f3s Zsig\u00f3<\/p>\n<p class=\"kiemeles_bpgal\">Curators:<\/p>\n<p class=\"verzal_bpgal\">B\u00e1lint \u00c1cs | M\u00e1rton Fernezelyi | \u00c9va Kozma | Mikl\u00f3s Petern\u00e1k<\/p>\n<p>[\/vc_column_text][vc_column_text]<\/p>\n<p class=\"kiemeles_bpgal\">Opening:<\/p>\n<p class=\"datum_bpgal_2\">Saturday, 2 December 2017, 5-8 pm<\/p>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;32&#8243;][\/vc_column][vc_column width=&#8221;2\/3&#8243; el_class=&#8221;full-2&#8243;][vc_column_text]The exhibition of media art and media history organized by the C\u00b3 Foundation attempts to trace the relationship between the visual arts and computers in Hungary over the course of the past fifteen years. To render the formula of the present, we selected a unique viewpoint. Well-known artists with significant oeuvres participate side by side with youths who were applicants and winners of the <a href=\"http:\/\/www.c3.hu\/idoalap\/?p=competition\">Freestyle Computing Competition<\/a> organized by C\u00b3. Many things have changed in computer use and the prevalence and application of infoculture in the past decade and a half. The exhibition endeavours to give an unconventional but informative, complex and exciting survey of these changes.<\/p>\n<p>For the past 15 years, the C\u00b3 Centre for Culture and Communication Foundation has organized an annual competition encouraging creative computer usage by members of the younger generation. We believe the time has come to examine and present the ways in which the competition has evolved, the people who have participated in the project, what has happened to our more than 100 winners over the years, and how the more than 6,000 submissions created by these young contestants can be viewed and interpreted today.<\/p>\n<p>The operation and use of technical mediums determine our everyday lives in decisive ways, while independent, critical and media-conscious reflection essential to creative use is far from common knowledge or practice. The \u201cdigital natives\u201d (people who grew up with computers) think differently about the world than \u201cdigital immigrants\u201d (the rest of us, whose familiar lifestyles were disrupted and transformed by the new information society). It remains to be seen how we comprehend one another; what are the optimal forms of familiar and habitual dialogic relationships, for instance education, today, and how might they change? And, of course, how can this be presented in the world of the early 21st century, which is rife with radical transformations? Is it possible to speak in an easily intelligible manner about the present and to the present \u2013 especially with the aid of a particular, micro-retrospective approach?[\/vc_column_text][vc_empty_space height=&#8221;50px&#8221;][vc_single_image image=&#8221;13204&#8243; img_size=&#8221;full&#8221; qode_css_animation=&#8221;&#8221;][vc_empty_space height=&#8221;10px&#8221;][vc_column_text]<\/p>\n<p class=\"kepalairas_nev_jobb\">Andrea Sztoj\u00e1novits<\/p>\n<p class=\"kepalairas_cim_jobb\"><em>The Instruments of Experience,<\/em> 2017, installation<\/p>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;32&#8243;][vc_single_image image=&#8221;13205&#8243; img_size=&#8221;full&#8221; qode_css_animation=&#8221;&#8221;][vc_empty_space height=&#8221;10px&#8221;][vc_column_text]<\/p>\n<p class=\"kepalairas_nev_jobb\">D\u00e1vid Gutema, D\u00e1vid Mikul\u00e1n<\/p>\n<p class=\"kepalairas_cim_jobb\"><em>Squirrels,<\/em> 2008, video<\/p>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;32&#8243;][vc_single_image image=&#8221;13208&#8243; img_size=&#8221;full&#8221; style=&#8221;vc_box_border&#8221; qode_css_animation=&#8221;&#8221;][vc_empty_space height=&#8221;10px&#8221;][vc_column_text]<\/p>\n<p class=\"kepalairas_nev_jobb\">Brigitta Zics<\/p>\n<p class=\"kepalairas_cim_jobb\"><em>Pachinko machine,<\/em> 2017<\/p>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;32&#8243;][vc_single_image image=&#8221;13210&#8243; img_size=&#8221;full&#8221; qode_css_animation=&#8221;&#8221;][vc_empty_space height=&#8221;10px&#8221;][vc_column_text]<\/p>\n<p class=\"kepalairas_nev_jobb\">Zsigmond Petern\u00e1k \u2013 M\u00e1t\u00e9 Balogh<\/p>\n<p class=\"kepalairas_cim_jobb\"><em> h.a.,<\/em> 2016, video, 3\u201940\u201d<\/p>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;32&#8243;][vc_single_image image=&#8221;13214&#8243; img_size=&#8221;full&#8221; qode_css_animation=&#8221;&#8221;][vc_empty_space height=&#8221;10px&#8221;][vc_column_text]<\/p>\n<p class=\"kepalairas_nev_jobb\">Mikl\u00f3s Zsig\u00f3<\/p>\n<p class=\"kepalairas_cim_jobb\"><em>Underwater cyclops,<\/em> 2017, robot<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;grid&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221; background_color=&#8221;#ffffff&#8221;][vc_column][vc_empty_space height=&#8221;50&#8243;][vc_separator type=&#8221;normal&#8221; down=&#8221;20&#8243;][vc_column_text]European partners of the C\u00b3 Foundation: the Austrian U19 \u2013 Create Your World (Ars Electronica, Linz), the German MB21 (Medienkulturzentrum Dresden), and the Swiss bugnplay.ch (Migros-Kulturprozent) competitions, of which we present a selection as part of the program.<br \/>\nThe exhibition\u2019s subtitle refers to the writings of Marc Prensky (Digital Natives, Digital Immigrants, I\u2013II., On the Horizon, 2001).[\/vc_column_text][vc_empty_space height=&#8221;32&#8243;][\/vc_column][\/vc_row][vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; 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img_size=&#8221;80&#215;80&#8243; onclick=&#8221;custom_link&#8221; img_link_target=&#8221;_blank&#8221; qode_css_animation=&#8221;&#8221; img_link=&#8221;&#8221; el_class=&#8221;logo-link&#8221; link=&#8221;https:\/\/www.aec.at\/u19\/en\/&#8221;][\/vc_column][vc_column width=&#8221;1\/6&#8243;][vc_empty_space height=&#8221;10&#8243;][vc_single_image image=&#8221;13133&#8243; img_size=&#8221;120&#215;108&#8243; onclick=&#8221;custom_link&#8221; img_link_target=&#8221;_blank&#8221; qode_css_animation=&#8221;&#8221; img_link=&#8221;&#8221; el_class=&#8221;logo-link&#8221; link=&#8221;http:\/\/www.mb21.de\/&#8221;][\/vc_column][vc_column width=&#8221;1\/6&#8243;][vc_empty_space height=&#8221;30&#8243;][vc_single_image image=&#8221;13132&#8243; img_size=&#8221;150&#215;45&#8243; onclick=&#8221;custom_link&#8221; img_link_target=&#8221;_blank&#8221; qode_css_animation=&#8221;&#8221; img_link=&#8221;&#8221; el_class=&#8221;logo-link&#8221; link=&#8221;http:\/\/bugnplay.ch&#8221;][\/vc_column][vc_column width=&#8221;1\/6&#8243;][\/vc_column][vc_column width=&#8221;1\/6&#8243;][\/vc_column][vc_column width=&#8221;1\/6&#8243;][\/vc_column][\/vc_row][vc_row css_animation=&#8221;&#8221; 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