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This content is locked<\/h2>\n
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Bak Imre<\/p>\n
F\u00e9nyt\u00f6rt\u00e9netek V.,<\/em> 2014, akril, v\u00e1szon, 210\u00d7600 cm<\/p>\n
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L\u00e9pt\u00e9k<\/em><\/h1>\n
[\/vc_column_text][vc_empty_space height=”32″][\/vc_column][\/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”grid” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern” bgparallax=”parallax” contentwidth=”container” toppadding=”40″ bottompadding=”10″ border=”on” css=”.vc_custom_1420648296958{background-color: #ffffff !important;}”][vc_column width=”1\/3″ css=”.vc_custom_1427029754112{padding-right: 25px !important;}” el_class=”full-1″][vc_column_text]<\/p>\n
\u00daj Budapest Gal\u00e9ria<\/p>\n
1093 Budapest, F\u0151v\u00e1m t\u00e9r 11\u201312., (B\u00e1lna Budapest)<\/p>\n
2018. december\u00a012 \u2013 2019. febru\u00e1r 17.<\/p>\n
[\/vc_column_text][vc_column_text]<\/p>\n
Kur\u00e1torok:<\/p>\n
Gad\u00f3 Fl\u00f3ra, Szegedy-Masz\u00e1k Zsuzsanna<\/p>\n
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Ki\u00e1ll\u00edt\u00f3 m\u0171v\u00e9szek:<\/p>\n
\u00c1lovits B\u00e1lint
\nAsztalos Zsolt
\n\u00c1mmer Gerg\u0151
\nBak Imre
\nBaranyay Andr\u00e1s
\nBerkes \u00c1d\u00e1m Csan\u00e1d
\nBirk\u00e1s \u00c1kos
\nEmber S\u00e1ri
\nDobokay M\u00e1t\u00e9
\nFabricius Anna
\nFodor J\u00e1nos
\nImre Mariann
\niski Kocsis Tibor
\nKerezsi Nemere
\nKir\u00e1ly Andr\u00e1s
\nKiss Adrian
\nKokesch \u00c1d\u00e1m
\nKo\u00f3s G\u00e1bor
\nK\u00f6r\u00f6s\u00e9nyi Tam\u00e1s
\nMartin Henrik
\nMoln\u00e1r Zsolt
\nRomh\u00e1ny Veronika
\nS\u00fcveges Rita
\nSzab\u00f3 Dezs\u0151
\nSzirtes J\u00e1nos
\nTranker Kata
\nV\u00e1rnai Gyula<\/p>\n
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Megnyit\u00f3:<\/p>\n
2018. december 11., 18:00<\/p>\n
Megnyit\u00f3 performansz:<\/p>\n
Fabricius Anna, Szirtes J\u00e1nos<\/p>\n
[\/vc_column_text][vc_empty_space height=”32″][\/vc_column][vc_column width=”2\/3″ el_class=”full-2″][vc_column_text]A ki\u00e1ll\u00edt\u00e1s kiindul\u00f3pontja a l\u00e9pt\u00e9k fogalma – olyan alkot\u00e1sok lesznek l\u00e1that\u00f3k, melyekn\u00e9l kiemelt szerepe van a m\u00e9retnek vagy pont ellenkez\u0151leg, a m\u0171v\u00e9sz ugyanazon kompoz\u00edci\u00f3t k\u00fcl\u00f6nb\u00f6z\u0151 v\u00e1ltozatokban is elk\u00e9sz\u00edtette. Milyen formai, koncepcion\u00e1lis illetve praktikus okai lehetnek annak, amikor a k\u00fcl\u00f6nb\u00f6z\u0151 l\u00e9pt\u00e9kek \u00e9s a sz\u00e9ls\u0151s\u00e9ges m\u00e9retek k\u00fcl\u00f6n\u00f6sen hangs\u00falyoss\u00e1 v\u00e1lnak egy m\u0171n\u00e9l? Hol h\u00faz\u00f3dik a hat\u00e1r a formai k\u00eds\u00e9rletez\u00e9sek, a gazdas\u00e1gi k\u00f6r\u00fclm\u00e9nyek, \u00edgy p\u00e9ld\u00e1ul a piacnak val\u00f3 megfelel\u00e9s \u00e9s a valamilyen t\u00e9mafelvet\u00e9sre reag\u00e1l\u00f3 megold\u00e1sok k\u00f6z\u00f6tt? Az eg\u00e9szen minimalista vagy szinte anyagtalan munk\u00e1kt\u00f3l kezdve, a n\u00e9z\u0151t a megszokott poz\u00edci\u00f3j\u00e1b\u00f3l kibillent\u0151, olykor ironikus megold\u00e1sokon \u00e1t a monument\u00e1lis megform\u00e1l\u00e1sokig a ki\u00e1ll\u00edt\u00e1s a l\u00e9pt\u00e9k fogalm\u00e1ban rejl\u0151 sz\u00e1mtalan m\u0171v\u00e9szi strat\u00e9gi\u00e1t \u00e9s \u00e9rtelmez\u00e9si lehet\u0151s\u00e9get bontja ki.<\/p>\n
Ahogy a l\u00e9pt\u00e9k kifejez\u00e9s a l\u00e9p\u00e9s sz\u00f3b\u00f3l ered, \u00fagy saj\u00e1t test\u00fcnk mint m\u00e9rt\u00e9kegys\u00e9g v\u00e1lik a ki\u00e1ll\u00edt\u00e1s kiindul\u00f3pontj\u00e1v\u00e1 \u00e9s egyben tematikus alegys\u00e9g\u00e9v\u00e9. Ezt k\u00f6veti az otthon, a priv\u00e1tszf\u00e9ra \u00e9s a haszn\u00e1lati t\u00e1rgyak m\u00e9rethez val\u00f3 viszonya, majd t\u00e1gabb k\u00f6rnyezet\u00fcnk, k\u00fcl\u00f6nf\u00e9le t\u00e1jak \u00e9s az univerzum \u00e1br\u00e1zol\u00e1saiban v\u00e9gz\u0151dik a ki\u00e1ll\u00edt\u00e1s. K\u00fcl\u00f6n egys\u00e9get k\u00e9peznek a t\u00e9m\u00e1ba illeszked\u0151 absztrakt, nonfigurat\u00edv munk\u00e1k. Ezen alt\u00e9m\u00e1kon t\u00fal figyelmet kapnak azok a technik\u00e1k is (p\u00e9ld\u00e1ul a sokszoros\u00edt\u00f3 elj\u00e1r\u00e1ssal k\u00e9sz\u00fclt nyomatok), amelyek eset\u00e9ben a technik\u00e1b\u00f3l fakad\u00f3 korl\u00e1tok miatt ritka a szok\u00e1sost\u00f3l kisebb vagy nagyobb m\u00e9retben k\u00e9sz\u00fclt m\u0171t\u00e1rgy. A m\u00e9ret fontoss\u00e1g\u00e1ra h\u00edvja fel a figyelmet, hogy a bemutatott alkot\u00e1sok egy r\u00e9sze nagy\u00edt\u00f3t, m\u00e1s r\u00e9sze hatalmas teret ig\u00e9nyel. A ki\u00e1ll\u00edt\u00e1s arra is eml\u00e9keztet, hogy mi\u00e9rt fontos m\u0171alkot\u00e1sokat \u00e9l\u0151ben l\u00e1tni, nem csup\u00e1n a val\u00f3s m\u00e9ret\u00fcket (is) meghazudtol\u00f3 reprodukci\u00f3kr\u00f3l megismerni.<\/p>\n
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iski Kocsis Tibor<\/p>\n
Tizenkett\u0151<\/em> 2009, olaj, v\u00e1szon, 220 \u00d7 142 cm<\/p>\n
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iski Kocsis Tibor<\/p>\n
Tizenkett\u0151<\/em> 2009, sz\u00e9n, grafit, ceruza, pap\u00edr, 30 \u00d7 40 cm<\/p>\n
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