New Budapest Gallery
1093 Budapest, Fővám tér 11–12., (Bálna Budapest)
3 December 2017 – 21 January 2018
The exhibitors include:
Zoltán Andrejkovics | Balázs Beöthy | Buttinger Lisa | Berg Eike | Ágnes Előd | Miklós Erhardt | Miklós Felvidéki | Dávid Gutema | Implausible Works (Agnus Szekeres, Lóránd Szécsényi-Nagy) | Kristóf Jurik | Gábor Kozma | Tamás Liszka | Fruzsina Marsalkó | Dóra Maurer | Dávid Mikulán | | Zsigmond Peternák–Máté Balogh | Clemens Schöll | Katarina Šević | Zoltán Szegedy-Maszák–Márton Fernezelyi | Tibor Szemző | Bálint Szente-Varga | Beatrix Szörényi | András Szőnyi | Bettina Szremkó | Andrea Sztojánovits | Máté Varga | Gábor Vecsei | Júlia Vécsei | Balázs Vecsey | Virág Vécsey | Raphael Vögeli | Tamás Waliczky | Brigitta Zics | Miklós Zsigó
Bálint Ács | Márton Fernezelyi | Éva Kozma | Miklós Peternák
Saturday, 2 December 2017, 5-8 pm
The exhibition of media art and media history organized by the C³ Foundation attempts to trace the relationship between the visual arts and computers in Hungary over the course of the past fifteen years. To render the formula of the present, we selected a unique viewpoint. Well-known artists with significant oeuvres participate side by side with youths who were applicants and winners of the Freestyle Computing Competition organized by C³. Many things have changed in computer use and the prevalence and application of infoculture in the past decade and a half. The exhibition endeavours to give an unconventional but informative, complex and exciting survey of these changes.
For the past 15 years, the C³ Centre for Culture and Communication Foundation has organized an annual competition encouraging creative computer usage by members of the younger generation. We believe the time has come to examine and present the ways in which the competition has evolved, the people who have participated in the project, what has happened to our more than 100 winners over the years, and how the more than 6,000 submissions created by these young contestants can be viewed and interpreted today.
The operation and use of technical mediums determine our everyday lives in decisive ways, while independent, critical and media-conscious reflection essential to creative use is far from common knowledge or practice. The “digital natives” (people who grew up with computers) think differently about the world than “digital immigrants” (the rest of us, whose familiar lifestyles were disrupted and transformed by the new information society). It remains to be seen how we comprehend one another; what are the optimal forms of familiar and habitual dialogic relationships, for instance education, today, and how might they change? And, of course, how can this be presented in the world of the early 21st century, which is rife with radical transformations? Is it possible to speak in an easily intelligible manner about the present and to the present – especially with the aid of a particular, micro-retrospective approach?
The Instruments of Experience, 2017, installation
Dávid Gutema, Dávid Mikulán
Squirrels, 2008, video
Pachinko machine, 2017
Zsigmond Peternák – Máté Balogh
h.a., 2016, video, 3’40”
Underwater cyclops, 2017, robot
European partners of the C³ Foundation: the Austrian U19 – Create Your World (Ars Electronica, Linz), the German MB21 (Medienkulturzentrum Dresden), and the Swiss bugnplay.ch (Migros-Kulturprozent) competitions, of which we present a selection as part of the program.
The exhibition’s subtitle refers to the writings of Marc Prensky (Digital Natives, Digital Immigrants, I–II., On the Horizon, 2001).